A. Break-In/Cover-Up
B. Reform:
1. War Powers Act of 1973
2. Congressional Budget and Impoundment Act
3. Fair Campaign Act of 1974
4. Freedom of Information Act
5. --Attitude Adjustment--
Friday, June 4, 2010
RIGHTS OF NATURE: The Environmental Movement
I. Origins:
A. The Idea: Rachel Carson, Silent Spring
B. The Event: The Santa Barbara Spill
II. Effect:
A. Politicizing a Community:
a. GOO
b. Earth Day
B. SF Bay Cons and Dvpt Commission
C. EPA
D. California Environmental Quality Act
E. California Coastal Act of 1976
F. Clean Air Act of 1990
III. Significance
A. The Idea: Rachel Carson, Silent Spring
B. The Event: The Santa Barbara Spill
II. Effect:
A. Politicizing a Community:
a. GOO
b. Earth Day
B. SF Bay Cons and Dvpt Commission
C. EPA
D. California Environmental Quality Act
E. California Coastal Act of 1976
F. Clean Air Act of 1990
III. Significance
Wednesday, June 2, 2010
FINAL EXAM STUDY GUIDE
TEST TIME AND DATE:
WED, 6/9, 2-4:30 YOU NEED A BLUE BOOK.
FORMAT:
I. Multiple Choice: 23 questions, you answer 20
The questions will come from material covered since the midterm
II. Essay: Two of the following questions will be on the test: you will write on one.
1. How did the U.S. change as a result of the Civil War, World War I, World War II, AND the War in Vietnam? Judging from the nation’s experience of war, can you make some generalization regarding the impact of war on a country?
2. What lasting changes were brought about by Progressivism, the New Deal, and the Civil Rights movement in the U.S.?
3. What causes historical change more profoundly, ideas or events? Consider as many examples from the course as yuo need to answer the question effectively.
4. Do individuals matter in history or only larger macro historical events? (use the readings for the course to answer this question)
WED, 6/9, 2-4:30 YOU NEED A BLUE BOOK.
FORMAT:
I. Multiple Choice: 23 questions, you answer 20
The questions will come from material covered since the midterm
II. Essay: Two of the following questions will be on the test: you will write on one.
1. How did the U.S. change as a result of the Civil War, World War I, World War II, AND the War in Vietnam? Judging from the nation’s experience of war, can you make some generalization regarding the impact of war on a country?
2. What lasting changes were brought about by Progressivism, the New Deal, and the Civil Rights movement in the U.S.?
3. What causes historical change more profoundly, ideas or events? Consider as many examples from the course as yuo need to answer the question effectively.
4. Do individuals matter in history or only larger macro historical events? (use the readings for the course to answer this question)
The Problem with No Name/Making the Personal Political...Second Wave Feminism
Betty Friedan: Feminine Mystique (1963)
--“the problem lay buried"
--Women “could desire no greater destiny than to glory in their own femininity,"
--Presidential Commission on the Status of Women
--Civil Rights Act of 1964 and the Equal Employment Opportunity Commission
National Organization for Women:
"to take action to bring women into full participation in the mainstream of American society now, exercising all privileges and responsibilities thereof in truly equal partnership with men."
1967: 1000 members
1971: 15,000 members
FREEDOM SUMMER:
"we didn't come down here to work as a maid this summer."
"Assumptions of male superiority are as widespread and deeply rooted and every much as crippling to the women as the assumptions of white superiority are to the Negro."
LIBERAL VS. RADICAL FEMINISM
RADICAL GROUPS:
SCUM
W.I.T.C.H.
Redstockings
Cell 16
AS A RESULT OF THE WOMEN’S MOVEMENT:
1. increased participation of women in politics on all levels
2. Title IX of Educational Amendments Acts of 1972, prohibited colleges from discriminating on basis of sex, requiring schools to fund womens' sports at a comparable level to mens' sports
3. Roe v. Wade: 1973, struck down Texas and Georgia statutes outlawing abortion, saying that states could no longer outlaw abortions in the first trimester of pregnancy
4. Equal Credit Opportunity Commission: in 1974, made it possible for women to get credit in their own name
5. ERA, which passed in Congress, and has to be seen as a victory in one sense, because it did pass in Congress, even though it is not now an amendment, since states did not ratify it in time. Why a victory? Military academies and other military arenas thought it would pass so they began to make changes that helped the position of women in the military
--“the problem lay buried"
--Women “could desire no greater destiny than to glory in their own femininity,"
--Presidential Commission on the Status of Women
--Civil Rights Act of 1964 and the Equal Employment Opportunity Commission
National Organization for Women:
"to take action to bring women into full participation in the mainstream of American society now, exercising all privileges and responsibilities thereof in truly equal partnership with men."
1967: 1000 members
1971: 15,000 members
FREEDOM SUMMER:
"we didn't come down here to work as a maid this summer."
"Assumptions of male superiority are as widespread and deeply rooted and every much as crippling to the women as the assumptions of white superiority are to the Negro."
LIBERAL VS. RADICAL FEMINISM
RADICAL GROUPS:
SCUM
W.I.T.C.H.
Redstockings
Cell 16
AS A RESULT OF THE WOMEN’S MOVEMENT:
1. increased participation of women in politics on all levels
2. Title IX of Educational Amendments Acts of 1972, prohibited colleges from discriminating on basis of sex, requiring schools to fund womens' sports at a comparable level to mens' sports
3. Roe v. Wade: 1973, struck down Texas and Georgia statutes outlawing abortion, saying that states could no longer outlaw abortions in the first trimester of pregnancy
4. Equal Credit Opportunity Commission: in 1974, made it possible for women to get credit in their own name
5. ERA, which passed in Congress, and has to be seen as a victory in one sense, because it did pass in Congress, even though it is not now an amendment, since states did not ratify it in time. Why a victory? Military academies and other military arenas thought it would pass so they began to make changes that helped the position of women in the military
Jack K
“The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!”
Friday, May 28, 2010
SPECIAL OFFICE HOURS ON TUESDAY
Since we have no class on Monday, I'll be in my office from 9-11 on Tuesday if you need help with your essays.
Vietnam and other Entanglements/Watergate
Vietnam and other Entanglements
I. War in Vietnam
A. Anti-Communist Context:
Containment and Domino Thinking
B. Escalation
1. Advisors:
2. Lyndon Baines Johnson "Great Society"
2. Gulf of Tonkin
3. Rolling Thunder
4. The Crucial Year: 1968
a. Anti-War Movement—SDS
http://www.youtube.com/watch?v=LBdeCxJmcAo fixin to die rag country joe
http://www.youtube.com/watch?v=_d8C4AIFgUg war Edwin starr
http://www.youtube.com/watch?v=_AvrZCYvVQI ohio Crosby stills nash young
http://www.youtube.com/watch?v=iWkWSLEW-Ds masters of war dylan
b. The Tet Offensive
c. Enter Tricky Dick: "secret plan"
II. Watergate
A. Break-In/Cover-Up
B. Reform:
1. War Powers Act of 1973
2. Congressional Budget and Impoundment Act
3. Fair Campaign Act of 1974
4. Freedom of Information Act
5. --Attitude Adjustment--
III. Losing a War:
Vietnamese Declaration of Independence, 1945
"All men are created equal. They are endowed by their Creator with certain inalienable rights; among these are Life, Liberty, and the pursuit of Happiness."
This immortal statement was made in the Declaration of Independence of the United States of America in 1776. In a broader sense, this means: All the peoples on the earth are equal from birth, all the peoples have a right to live, to be happy and free. The Declaration of the French Revolution…states: "All men are born free and with equal rights, and must always remain free and have equal rights." Those are undeniable truths. Yet, the French imperialists, abusing the standard of Liberty, Equality, and Fraternity, have violated our Fatherland and oppressed our fellow citizens. They have acted contrary to the ideals of humanity and justice. In the field of politics, they have deprived our people of every democratic liberty.
I. War in Vietnam
A. Anti-Communist Context:
Containment and Domino Thinking
B. Escalation
1. Advisors:
2. Lyndon Baines Johnson "Great Society"
2. Gulf of Tonkin
3. Rolling Thunder
4. The Crucial Year: 1968
a. Anti-War Movement—SDS
http://www.youtube.com/watch?v=LBdeCxJmcAo fixin to die rag country joe
http://www.youtube.com/watch?v=_d8C4AIFgUg war Edwin starr
http://www.youtube.com/watch?v=_AvrZCYvVQI ohio Crosby stills nash young
http://www.youtube.com/watch?v=iWkWSLEW-Ds masters of war dylan
b. The Tet Offensive
c. Enter Tricky Dick: "secret plan"
II. Watergate
A. Break-In/Cover-Up
B. Reform:
1. War Powers Act of 1973
2. Congressional Budget and Impoundment Act
3. Fair Campaign Act of 1974
4. Freedom of Information Act
5. --Attitude Adjustment--
III. Losing a War:
Vietnamese Declaration of Independence, 1945
"All men are created equal. They are endowed by their Creator with certain inalienable rights; among these are Life, Liberty, and the pursuit of Happiness."
This immortal statement was made in the Declaration of Independence of the United States of America in 1776. In a broader sense, this means: All the peoples on the earth are equal from birth, all the peoples have a right to live, to be happy and free. The Declaration of the French Revolution…states: "All men are born free and with equal rights, and must always remain free and have equal rights." Those are undeniable truths. Yet, the French imperialists, abusing the standard of Liberty, Equality, and Fraternity, have violated our Fatherland and oppressed our fellow citizens. They have acted contrary to the ideals of humanity and justice. In the field of politics, they have deprived our people of every democratic liberty.
Wednesday, May 19, 2010
Civil Rights and the Social Movements in the 1960s
Social Movements in the 1960s
I. Civil Rights:
A. Enforcing Segregation:
1. Culturally
2. Legal: Plessy v Ferguson (1898)
B. Fighting Segregation:
1. NAACP
2. Brown v. Board of Education (1954)
a. Brown II
b. Resisting Justice:
Little Rock Central High School (1957)
Orval Faubus
3. Rosa Parks and the Bus Boycott:
4. Emmitt Till
5. The Sit-Ins:
6. Freedom Rides:
7. JFK:
a. Civil Rights Act of 1964
b. Voting Rights Act of 1965
--Fannie Lou Hammer
II. OTHER MOVEMENTS:
A. UFW
B. Anti-War
C. American Indian Movement
D. Women’s Movement
E. Environment
I. Civil Rights:
A. Enforcing Segregation:
1. Culturally
2. Legal: Plessy v Ferguson (1898)
B. Fighting Segregation:
1. NAACP
2. Brown v. Board of Education (1954)
a. Brown II
b. Resisting Justice:
Little Rock Central High School (1957)
Orval Faubus
3. Rosa Parks and the Bus Boycott:
4. Emmitt Till
5. The Sit-Ins:
6. Freedom Rides:
7. JFK:
a. Civil Rights Act of 1964
b. Voting Rights Act of 1965
--Fannie Lou Hammer
II. OTHER MOVEMENTS:
A. UFW
B. Anti-War
C. American Indian Movement
D. Women’s Movement
E. Environment
Japanese Internment
February 15th of 1942 to December of 1944
Why did it happen?
What was it like?
How did it end?
Why did the government apologize?
Why did it happen?
What was it like?
How did it end?
Why did the government apologize?
Friday, May 14, 2010
"August 2026: There Will Come Soft Rains"
http://www.faludi.com/classes/networkobjects/readings/Bradbury_Soft_Rains_1950.pdf
"August 2026: There Will Come Soft Rains" (1950)
Ray Bradbury
In the living room the voice-clock sang, Tick-tock, seven o'clock, time to get up, time to
get up, seven o'clock! as if it were afraid that nobody would. The morning house lay empty. The
clock ticked on, repeating and repeating its sounds into the emptiness. Seven-nine, breakfast time,
seven-nine!
In the kitchen the breakfast stove gave a hissing sigh and ejected from its warm interior
eight pieces of perfectly browned toast, eight eggs sunnyside up, sixteen slices of bacon, two
coffees, and two cool glasses of milk.
"Today is August 4, 2026," said a second voice from the kitchen ceiling, "in the city of
Allendale, California." It repeated the date three times for memory's sake. "Today is Mr.
Featherstone's birthday. Today is the anniversary of Tilita's marriage. Insurance is payable, as are
the water, gas, and light bills."
Somewhere in the walls, relays clicked, memory tapes glided under electric eyes.
Eight-one, tick-tock, eight-one o'clock, off to school, off to work, run, run, eight-one! But
no doors slammed, no carpets took the soft tread of rubber heels. It was raining outside. The
weather box on the front door sang quietly: "Rain, rain, go away; rubbers, raincoats for today…"
And the rain tapped on the empty house, echoing.
Outside, the garage chimed and lifted its door to reveal the waiting car. After a long wait
the door swung down again.
At eight-thirty the eggs were shriveled and the toast was like stone. An aluminum wedge
scraped them into the sink, where hot water whirled them down a metal throat which digested and
flushed them away to the distant sea. The dirty dishes were dropped into a hot washer and
emerged twinkling dry.
Nine-fifteen, sang the clock, time to clean.
Out of warrens in the wall, tiny robot mice darted. The rooms were acrawl with the small
cleaning animals, all rubber and metal. They thudded against chairs, whirling their mustached
runners, kneading the rug nap, sucking gently at hidden dust. Then, like mysterious invaders, they
popped into their burrows. Their pink electric eyes faded. The house was clean.
Ten o'clock. The sun came out from behind the rain. The house stood alone in a city of
rubble and ashes. This was the one house left standing. At night the ruined city gave off a
radioactive glow which could be seen for miles.
Ten-fifteen. The garden sprinklers whirled up in golden founts, filling the soft morning air
with scatterings of brightness. The water pelted windowpanes, running down the charred west
side where the house had been burned evenly free of its white paint. The entire west face of the
house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here,
as in a photograph, a woman bent to pick flowers. Still farther over, their images burned on wood
in one titanic instant, a small boy, hands flung into the air; higher up, the image of a thrown ball,
and opposite him a girl, hands raised to catch a ball which never came down.
The five spots of paint—the man, the woman, the children, the ball—remained. The rest
was a thin charcoaled layer.
The gentle sprinkler rain filled the garden with falling light.
1 Ray Bradbury, The Martian Chronicles (Toronto: Bantam Books, 1985), 166-172.
2
Until this day, how well the house had kept its peace. How carefully it had inquired, "Who
goes there? What's the password?" and, getting no answer from lonely foxes and whining cats, it
had shut up its windows and drawn shades in an old maidenly preoccupation with self-protection
which bordered on a mechanical paranoia.
It quivered at each sound, the house did. If a sparrow brushed a window, the shade
snapped up. The bird, startled, flew off! No, not even a bird must touch the house!
The house was an altar with ten thousand attendants, big, small, servicing, attending, in
choirs. But the gods had gone away, and the ritual of the religion continued senselessly, uselessly.
Twelve noon.
A dog whined, shivering, on the front porch.
The front door recognized the dog voice and opened. The dog, once huge and fleshy, but
now gone to bone and covered with sores, moved in and through the house, tracking mud. Behind
it whirred angry mice, angry at having to pick up mud, angry at inconvenience.
For not a leaf fragment blew under the door but what the wall panels flipped open and the
copper scrap rats flashed swiftly out. The offending dust, hair, or paper, seized in miniature steel
jaws, was raced back to the burrows. There, down tubes which fed into the cellar, it was dropped
into the sighing vent of an incinerator which sat like evil Baal in a dark corner.
The dog ran upstairs, hysterically yelping to each door, at last realizing, as the house
realized, that only silence was here.
It sniffed the air and scratched the kitchen door. Behind the door, the stove was making
pancakes which filled the house with a rich baked odor and the scent of maple syrup.
The dog frothed at the mouth, lying at the door, sniffing, its eyes turned to fire. It ran
wildly in circles, biting at its tail, spun in a frenzy, and died. It lay in the parlor for an hour.
Two o'clock, sang a voice.
Delicately sensing decay at last, the regiments of mice hummed out as softly as blown gray
leaves in an electrical wind.
Two-fifteen.
The dog was gone.
In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney.
Two thirty-five.
Bridge tables sprouted from patio walls. Playing cards fluttered onto pads in a shower of
pips. Martinis manifested on an oaken bench with egg-salad sandwiches. Music played.
But the tables were silent and the cards untouched.
At four o'clock the tables folded like great butterflies back through the paneled walls.
Four-thirty.
The nursery walls glowed.
Animals took shape: yellow giraffes, blue lions, pink antelopes, lilac panthers cavorting in
crystal substance. The walls were glass. They looked out upon color and fantasy. Hidden films
docked through well-oiled sprockets, and the walls lived. The nursery floor was woven to
resemble a crisp, cereal meadow. Over this ran aluminum roaches and iron crickets, and in the hot
still air butterflies of delicate red tissue wavered among the sharp aroma of animal spoors! There
was the sound like a great matted yellow hive of bees within a dark bellows, the lazy bumble of a
purring lion. And there was the patter of okapi feet and the murmur of a fresh jungle rain, like
other hoofs, falling upon the summer-starched grass. Now the walls dissolved into distances of
3
parched weed, mile on mile, and warm endless sky. The animals drew away into thorn brakes and
water holes.
It was the children's hour.
Five o'clock. The bath filled with clear hot water.
Six, seven, eight o'clock. The dinner dishes manipulated like magic tricks, and in the study
a click. In the metal stand opposite the hearth where a fire now blazed up warmly, a cigar popped
out, half an inch of soft gray ash on it, smoking, waiting.
Nine o'clock. The beds warmed their hidden circuits, for nights were cool here.
Nine-five. A voice spoke from the study ceiling:
"Mrs. McClellan, which poem would you like this evening?"
The house was silent.
The voice said at last, "Since you express no preference, I shall select a poem at random."
Quiet music rose to back the voice. "Sara Teasdale. As I recall, your favorite….
"There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;
And frogs in the pools singing at night,
And wild plum trees in tremulous white;
Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;
And not one will know of the war, not one
Will care at last when it is done.
Not one would mind, neither bird nor tree,
if mankind perished utterly;
And Spring herself, when she woke at dawn
Would scarcely know that we were gone."
The fire burned on the stone hearth and the cigar fell away into a mound of quiet ash on its
tray. The empty chairs faced each other between the silent walls, and the music played.
At ten o'clock the house began to die.
The wind blew. A failing tree bough crashed through the kitchen window. Cleaning
solvent, bottled, shattered over the stove. The room was ablaze in an instant!
"Fire!" screamed a voice. The house lights flashed, water pumps shot water from the
ceilings. But the solvent spread on the linoleum, licking, eating, under the kitchen door, while the
voices took it up in chorus: "Fire, fire, fire!"
The house tried to save itself. Doors sprang tightly shut, but the windows were broken by
the heat and the wind blew and sucked upon the fire.
The house gave ground as the fire in ten billion angry sparks moved with flaming ease
from room to room and then up the stairs. While scurrying water rats squeaked from the walls,
pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain.
But too late. Somewhere, sighing, a pump shrugged to a stop. The quenching rain ceased.
The reserve water supply which had filled baths and washed dishes for many quiet days was gone.
The fire crackled up the stairs. It fed upon Picassos and Matisses in the upper halls, like
delicacies, baking off the oily flesh, tenderly crisping the canvases into black shavings.
Now the fire lay in beds, stood in windows, changed the colors of drapes!
4
And then, reinforcements.
From attic trapdoors, blind robot faces peered down with faucet mouths gushing green
chemical.
The fire backed off, as even an elephant must at the sight of a dead snake. Now there were
twenty snakes whipping over the floor, killing the fire with a clear cold venom of green froth.
But the fire was clever. It had sent flames outside the house, up through the attic to the
pumps there. An explosion! The attic brain which directed the pumps was shattered into bronze
shrapnel on the beams.
The fire rushed back into every closet and felt of the clothes hung there.
The house shuddered, oak bone on bone, its bared skeleton cringing from the heat, its
wire, its nerves revealed as if a surgeon had torn the skin off to let the red veins and capillaries
quiver in the scalded air. Help, help! Fire! Run, run! Heat snapped mirrors like the brittle winter
ice. And the voices wailed Fire, fire, run, run, like a tragic nursery rhyme, a dozen voices, high,
low, like children dying in a forest, alone, alone. And the voices fading as the wires popped their
sheathings like hot chestnuts. One, two, three, four, five voices died.
In the nursery the jungle burned. Blue lions roared, purple giraffes bounded off. The
panthers ran in circles, changing color, and ten million animals, running before the fire, vanished
off toward a distant steaming river....
Ten more voices died. In the last instant under the fire avalanche, other choruses,
oblivious, could be heard announcing the time, playing music, cutting the lawn by remote-control
mower, or setting an umbrella frantically out and in the slamming and opening front door, a
thousand things happening, like a clock shop when each clock strikes the hour insanely before or
after the other, a scene of maniac confusion, yet unity; singing, screaming, a few last cleaning
mice darting bravely out to carry the horrid ashes away! And one voice, with sublime disregard
for the situation, read poetry aloud in the fiery study, until all the film spools burned, until all the
wires withered and the circuits cracked.
The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke.
In the kitchen, an instant before the rain of fire and timber, the stove could be seen making
breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips,
which, eaten by fire, started the stove working again, hysterically hissing!
The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into
sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a
cluttered mound deep under.
Smoke and silence. A great quantity of smoke.
Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall,
a last voice said, over and over again and again, even as the sun rose to shine upon the heaped
rubble and steam:
"Today is August 5, 2026, today is August 5, 2026, today is…"
"August 2026: There Will Come Soft Rains" (1950)
Ray Bradbury
In the living room the voice-clock sang, Tick-tock, seven o'clock, time to get up, time to
get up, seven o'clock! as if it were afraid that nobody would. The morning house lay empty. The
clock ticked on, repeating and repeating its sounds into the emptiness. Seven-nine, breakfast time,
seven-nine!
In the kitchen the breakfast stove gave a hissing sigh and ejected from its warm interior
eight pieces of perfectly browned toast, eight eggs sunnyside up, sixteen slices of bacon, two
coffees, and two cool glasses of milk.
"Today is August 4, 2026," said a second voice from the kitchen ceiling, "in the city of
Allendale, California." It repeated the date three times for memory's sake. "Today is Mr.
Featherstone's birthday. Today is the anniversary of Tilita's marriage. Insurance is payable, as are
the water, gas, and light bills."
Somewhere in the walls, relays clicked, memory tapes glided under electric eyes.
Eight-one, tick-tock, eight-one o'clock, off to school, off to work, run, run, eight-one! But
no doors slammed, no carpets took the soft tread of rubber heels. It was raining outside. The
weather box on the front door sang quietly: "Rain, rain, go away; rubbers, raincoats for today…"
And the rain tapped on the empty house, echoing.
Outside, the garage chimed and lifted its door to reveal the waiting car. After a long wait
the door swung down again.
At eight-thirty the eggs were shriveled and the toast was like stone. An aluminum wedge
scraped them into the sink, where hot water whirled them down a metal throat which digested and
flushed them away to the distant sea. The dirty dishes were dropped into a hot washer and
emerged twinkling dry.
Nine-fifteen, sang the clock, time to clean.
Out of warrens in the wall, tiny robot mice darted. The rooms were acrawl with the small
cleaning animals, all rubber and metal. They thudded against chairs, whirling their mustached
runners, kneading the rug nap, sucking gently at hidden dust. Then, like mysterious invaders, they
popped into their burrows. Their pink electric eyes faded. The house was clean.
Ten o'clock. The sun came out from behind the rain. The house stood alone in a city of
rubble and ashes. This was the one house left standing. At night the ruined city gave off a
radioactive glow which could be seen for miles.
Ten-fifteen. The garden sprinklers whirled up in golden founts, filling the soft morning air
with scatterings of brightness. The water pelted windowpanes, running down the charred west
side where the house had been burned evenly free of its white paint. The entire west face of the
house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here,
as in a photograph, a woman bent to pick flowers. Still farther over, their images burned on wood
in one titanic instant, a small boy, hands flung into the air; higher up, the image of a thrown ball,
and opposite him a girl, hands raised to catch a ball which never came down.
The five spots of paint—the man, the woman, the children, the ball—remained. The rest
was a thin charcoaled layer.
The gentle sprinkler rain filled the garden with falling light.
1 Ray Bradbury, The Martian Chronicles (Toronto: Bantam Books, 1985), 166-172.
2
Until this day, how well the house had kept its peace. How carefully it had inquired, "Who
goes there? What's the password?" and, getting no answer from lonely foxes and whining cats, it
had shut up its windows and drawn shades in an old maidenly preoccupation with self-protection
which bordered on a mechanical paranoia.
It quivered at each sound, the house did. If a sparrow brushed a window, the shade
snapped up. The bird, startled, flew off! No, not even a bird must touch the house!
The house was an altar with ten thousand attendants, big, small, servicing, attending, in
choirs. But the gods had gone away, and the ritual of the religion continued senselessly, uselessly.
Twelve noon.
A dog whined, shivering, on the front porch.
The front door recognized the dog voice and opened. The dog, once huge and fleshy, but
now gone to bone and covered with sores, moved in and through the house, tracking mud. Behind
it whirred angry mice, angry at having to pick up mud, angry at inconvenience.
For not a leaf fragment blew under the door but what the wall panels flipped open and the
copper scrap rats flashed swiftly out. The offending dust, hair, or paper, seized in miniature steel
jaws, was raced back to the burrows. There, down tubes which fed into the cellar, it was dropped
into the sighing vent of an incinerator which sat like evil Baal in a dark corner.
The dog ran upstairs, hysterically yelping to each door, at last realizing, as the house
realized, that only silence was here.
It sniffed the air and scratched the kitchen door. Behind the door, the stove was making
pancakes which filled the house with a rich baked odor and the scent of maple syrup.
The dog frothed at the mouth, lying at the door, sniffing, its eyes turned to fire. It ran
wildly in circles, biting at its tail, spun in a frenzy, and died. It lay in the parlor for an hour.
Two o'clock, sang a voice.
Delicately sensing decay at last, the regiments of mice hummed out as softly as blown gray
leaves in an electrical wind.
Two-fifteen.
The dog was gone.
In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney.
Two thirty-five.
Bridge tables sprouted from patio walls. Playing cards fluttered onto pads in a shower of
pips. Martinis manifested on an oaken bench with egg-salad sandwiches. Music played.
But the tables were silent and the cards untouched.
At four o'clock the tables folded like great butterflies back through the paneled walls.
Four-thirty.
The nursery walls glowed.
Animals took shape: yellow giraffes, blue lions, pink antelopes, lilac panthers cavorting in
crystal substance. The walls were glass. They looked out upon color and fantasy. Hidden films
docked through well-oiled sprockets, and the walls lived. The nursery floor was woven to
resemble a crisp, cereal meadow. Over this ran aluminum roaches and iron crickets, and in the hot
still air butterflies of delicate red tissue wavered among the sharp aroma of animal spoors! There
was the sound like a great matted yellow hive of bees within a dark bellows, the lazy bumble of a
purring lion. And there was the patter of okapi feet and the murmur of a fresh jungle rain, like
other hoofs, falling upon the summer-starched grass. Now the walls dissolved into distances of
3
parched weed, mile on mile, and warm endless sky. The animals drew away into thorn brakes and
water holes.
It was the children's hour.
Five o'clock. The bath filled with clear hot water.
Six, seven, eight o'clock. The dinner dishes manipulated like magic tricks, and in the study
a click. In the metal stand opposite the hearth where a fire now blazed up warmly, a cigar popped
out, half an inch of soft gray ash on it, smoking, waiting.
Nine o'clock. The beds warmed their hidden circuits, for nights were cool here.
Nine-five. A voice spoke from the study ceiling:
"Mrs. McClellan, which poem would you like this evening?"
The house was silent.
The voice said at last, "Since you express no preference, I shall select a poem at random."
Quiet music rose to back the voice. "Sara Teasdale. As I recall, your favorite….
"There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;
And frogs in the pools singing at night,
And wild plum trees in tremulous white;
Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;
And not one will know of the war, not one
Will care at last when it is done.
Not one would mind, neither bird nor tree,
if mankind perished utterly;
And Spring herself, when she woke at dawn
Would scarcely know that we were gone."
The fire burned on the stone hearth and the cigar fell away into a mound of quiet ash on its
tray. The empty chairs faced each other between the silent walls, and the music played.
At ten o'clock the house began to die.
The wind blew. A failing tree bough crashed through the kitchen window. Cleaning
solvent, bottled, shattered over the stove. The room was ablaze in an instant!
"Fire!" screamed a voice. The house lights flashed, water pumps shot water from the
ceilings. But the solvent spread on the linoleum, licking, eating, under the kitchen door, while the
voices took it up in chorus: "Fire, fire, fire!"
The house tried to save itself. Doors sprang tightly shut, but the windows were broken by
the heat and the wind blew and sucked upon the fire.
The house gave ground as the fire in ten billion angry sparks moved with flaming ease
from room to room and then up the stairs. While scurrying water rats squeaked from the walls,
pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain.
But too late. Somewhere, sighing, a pump shrugged to a stop. The quenching rain ceased.
The reserve water supply which had filled baths and washed dishes for many quiet days was gone.
The fire crackled up the stairs. It fed upon Picassos and Matisses in the upper halls, like
delicacies, baking off the oily flesh, tenderly crisping the canvases into black shavings.
Now the fire lay in beds, stood in windows, changed the colors of drapes!
4
And then, reinforcements.
From attic trapdoors, blind robot faces peered down with faucet mouths gushing green
chemical.
The fire backed off, as even an elephant must at the sight of a dead snake. Now there were
twenty snakes whipping over the floor, killing the fire with a clear cold venom of green froth.
But the fire was clever. It had sent flames outside the house, up through the attic to the
pumps there. An explosion! The attic brain which directed the pumps was shattered into bronze
shrapnel on the beams.
The fire rushed back into every closet and felt of the clothes hung there.
The house shuddered, oak bone on bone, its bared skeleton cringing from the heat, its
wire, its nerves revealed as if a surgeon had torn the skin off to let the red veins and capillaries
quiver in the scalded air. Help, help! Fire! Run, run! Heat snapped mirrors like the brittle winter
ice. And the voices wailed Fire, fire, run, run, like a tragic nursery rhyme, a dozen voices, high,
low, like children dying in a forest, alone, alone. And the voices fading as the wires popped their
sheathings like hot chestnuts. One, two, three, four, five voices died.
In the nursery the jungle burned. Blue lions roared, purple giraffes bounded off. The
panthers ran in circles, changing color, and ten million animals, running before the fire, vanished
off toward a distant steaming river....
Ten more voices died. In the last instant under the fire avalanche, other choruses,
oblivious, could be heard announcing the time, playing music, cutting the lawn by remote-control
mower, or setting an umbrella frantically out and in the slamming and opening front door, a
thousand things happening, like a clock shop when each clock strikes the hour insanely before or
after the other, a scene of maniac confusion, yet unity; singing, screaming, a few last cleaning
mice darting bravely out to carry the horrid ashes away! And one voice, with sublime disregard
for the situation, read poetry aloud in the fiery study, until all the film spools burned, until all the
wires withered and the circuits cracked.
The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke.
In the kitchen, an instant before the rain of fire and timber, the stove could be seen making
breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips,
which, eaten by fire, started the stove working again, hysterically hissing!
The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into
sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a
cluttered mound deep under.
Smoke and silence. A great quantity of smoke.
Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall,
a last voice said, over and over again and again, even as the sun rose to shine upon the heaped
rubble and steam:
"Today is August 5, 2026, today is August 5, 2026, today is…"
Wednesday, May 12, 2010
TURNITIN.COM INFORMATION
Remember, the paper must be submitted to turnitin.com by midnight on the night that it is due in paper form in class.
Here's the tii info:
The Enrollment Class Id is 3274688
The password will be given in class.
Here's the tii info:
The Enrollment Class Id is 3274688
The password will be given in class.
Monday, May 3, 2010
NEW DEAL
I. The Election of 1932:
Herbert Hoover vs. Franklin Delano Roosevelt
II. THE NEW DEAL
--RELIEF, RECOVERY, REFORM—
A. RELIEF:
1. work relief:
1935--1943
WPA --employed 8.5 million americans
--spent $10.5 billion
--constructed 651,087 miles of roads
--125,110 public buildings
--8192 parks
--853 airports
-- built or repaired 124,087 bridges
2. direct assistance
B. RECOVERY:
1. industry:
2. agriculture:
C. REFORM:
1. Social Security Act:
Here’s FDR signing Soc. Sec. into law.
2. Emergency Banking Act:
Was the New Deal Successful?
Herbert Hoover vs. Franklin Delano Roosevelt
II. THE NEW DEAL
--RELIEF, RECOVERY, REFORM—
A. RELIEF:
1. work relief:
1935--1943
WPA --employed 8.5 million americans
--spent $10.5 billion
--constructed 651,087 miles of roads
--125,110 public buildings
--8192 parks
--853 airports
-- built or repaired 124,087 bridges
2. direct assistance
B. RECOVERY:
1. industry:
2. agriculture:
C. REFORM:
1. Social Security Act:
Here’s FDR signing Soc. Sec. into law.
2. Emergency Banking Act:
Was the New Deal Successful?
Tuesday, April 27, 2010
ORIGINS OF THE GREAT DEPRESSION
1. U.S. Business Fundamentally Flawed
a. Overproduction/underconsumption
b.Stock market speculation
c. Run on the Banks
2. Farm Depression
The Dust Bowl
3. Worldwide depression
4. Bad Policy:
a. Hawley-Smoot Tariff
b. Agricultural Marketing Act:
c. National Credit Corporation:
d. Reconstruction Finance
Corporation:
e. Presidential Organization for
Unemployment Relief (POUR)
f. Bonus March
a. Overproduction/underconsumption
b.Stock market speculation
c. Run on the Banks
2. Farm Depression
The Dust Bowl
3. Worldwide depression
4. Bad Policy:
a. Hawley-Smoot Tariff
b. Agricultural Marketing Act:
c. National Credit Corporation:
d. Reconstruction Finance
Corporation:
e. Presidential Organization for
Unemployment Relief (POUR)
f. Bonus March
Prohibition and the Crazy 1920a
I. Prohibition Law:
A. 18th Amendment
(prohibiting manufacture, sale, transport)
B. Volstead Act
(making the 18th a “bone dry” amendment)
C. "Five and Ten Law"
(1929, 5 year, $10,000 penalty)
III. Prohibition Failure:
Why Not More of a Success?
A. Minimal Enforcement:
B. Unrealistic Expectations:
C. Corruption:
D. Policy without Authority:
III. Repeal:
A. 21st Amendment (Dec. 5, 1933)
B. The Constitution and Federal Intervention
IV. Progress and Decline in the 1920s:
A. 20s as Decade of Cultural/Economic Flowering:
1. Consumerism:
Lowest 40%=$725
190-housing
110-clothing
290-food
=135 left
Edward Bernays=father of modern pr
2. Movies:
Warner Bros. Pictures inc. in 1923
MGM formed in 1924
Fox Film Corporation founded in 1912
(became 20th Century Fox in 1935)
United Artists, formed in 1919
(by stars Mary Pickford, Douglas Fairbanks, Sr., Charlie Chaplin, and director D.W. Griffith)
3. Harlem Renaissance
4. “Lost Generation”
5. The “New Woman”
B. 1920s as a Decade of Ignorance,
Cultural Decay
1. Influenza
--killed 25 million worldwide
(700,000 in U.S.)
Historian Alfred Crosby:
The virus “killed more humans than any other disease in a period of similar duration in the history of the world.”
“I had a little bird, I had a little bird,
Its name was Enza. Its name was Enza.
I opened up the window, I opened up the window, And in flu enza, In flu enza.”
Children’s jump rope rhyme
2. World Economic Chaos:
England=industrial problems: General Strike of 1926
--2 million unemployed by 1930
--3 million unemp. in 1933
Depression
One billion per year in reparations
Hyperinflation in Germany:
1 dollar=9000 marks (Jan. of 1923)
1 dollar=4.2 trillion marks
(Nov. of 1923)
--one loaf of bread=580 billion marks
3. Urban Racial Unrest: Chicago, 1919
…48 recorded lynchings in 1917
…78 recorded lynchings in 1919
4. Nativism:
a. National Origins Act of 1924
b. Sacco and Vanzetti
5. The KKK
6. Scopes Monkey Trial
VII. Significance:
A. 18th Amendment
(prohibiting manufacture, sale, transport)
B. Volstead Act
(making the 18th a “bone dry” amendment)
C. "Five and Ten Law"
(1929, 5 year, $10,000 penalty)
III. Prohibition Failure:
Why Not More of a Success?
A. Minimal Enforcement:
B. Unrealistic Expectations:
C. Corruption:
D. Policy without Authority:
III. Repeal:
A. 21st Amendment (Dec. 5, 1933)
B. The Constitution and Federal Intervention
IV. Progress and Decline in the 1920s:
A. 20s as Decade of Cultural/Economic Flowering:
1. Consumerism:
Lowest 40%=$725
190-housing
110-clothing
290-food
=135 left
Edward Bernays=father of modern pr
2. Movies:
Warner Bros. Pictures inc. in 1923
MGM formed in 1924
Fox Film Corporation founded in 1912
(became 20th Century Fox in 1935)
United Artists, formed in 1919
(by stars Mary Pickford, Douglas Fairbanks, Sr., Charlie Chaplin, and director D.W. Griffith)
3. Harlem Renaissance
4. “Lost Generation”
5. The “New Woman”
B. 1920s as a Decade of Ignorance,
Cultural Decay
1. Influenza
--killed 25 million worldwide
(700,000 in U.S.)
Historian Alfred Crosby:
The virus “killed more humans than any other disease in a period of similar duration in the history of the world.”
“I had a little bird, I had a little bird,
Its name was Enza. Its name was Enza.
I opened up the window, I opened up the window, And in flu enza, In flu enza.”
Children’s jump rope rhyme
2. World Economic Chaos:
England=industrial problems: General Strike of 1926
--2 million unemployed by 1930
--3 million unemp. in 1933
Depression
One billion per year in reparations
Hyperinflation in Germany:
1 dollar=9000 marks (Jan. of 1923)
1 dollar=4.2 trillion marks
(Nov. of 1923)
--one loaf of bread=580 billion marks
3. Urban Racial Unrest: Chicago, 1919
…48 recorded lynchings in 1917
…78 recorded lynchings in 1919
4. Nativism:
a. National Origins Act of 1924
b. Sacco and Vanzetti
5. The KKK
6. Scopes Monkey Trial
VII. Significance:
Friday, April 23, 2010
MIDTERM EXAM STUDY GUIDE:
YOU NEED A BLUE BOOK FOR THIS EXAM.
This exam will have two parts:
Part A (40%) is objective. There will be 21 multiple choice questions. You will answer 20 of them. Check the blog over the next few days to see several more examples of multiple choice questions so that you get used to the level of detail required and the type of information I want you to retain. Here are two examples of questions used on a previous exam:
The 18th Amendment added prohibition to the Constitution. Which of the following repealed the 18th?
A. 19th
B. 20th
C. 21st
D. 22nd
The man who created the Black Star Line was
A. Thomas Dewey
B. WEB DuBois
C. Booker T. Washington
D. Marcus Garvey
Part B is an essay(60%): There will be two essay questions. You will write on one. The essays will come from one or two of the following themes:
1. Reconstruction: Think about the challenges of reconstructing the war-torn nation, how various groups tried to solve those problems, and which plan eventually went into effect.
2. Progressivism: Think about the many movements involved and how successful they each were in improving the world.
3. The 1920s: Think about the “progress” or “decline” model that we discussed in class.
HOW TO SUCCEED ON THIS TEST:
Make outlines for each theme.
Make sure that your outlines have far more information than you could ever remember.
Avoid the big general statements.
Instead, add detail to your outline.
Then, use those outlines to study; try to rewrite the outline without looking; say the outline out loud in front of a mirror; use the outline to impress your friends at work or at parties; come to office hours and let me see the outline.The one comment I write more than any other on midterms is “add more detail.”
So, learn some details to back up your understanding of the periods we have studied. I want you to do well!
This exam will have two parts:
Part A (40%) is objective. There will be 21 multiple choice questions. You will answer 20 of them. Check the blog over the next few days to see several more examples of multiple choice questions so that you get used to the level of detail required and the type of information I want you to retain. Here are two examples of questions used on a previous exam:
The 18th Amendment added prohibition to the Constitution. Which of the following repealed the 18th?
A. 19th
B. 20th
C. 21st
D. 22nd
The man who created the Black Star Line was
A. Thomas Dewey
B. WEB DuBois
C. Booker T. Washington
D. Marcus Garvey
Part B is an essay(60%): There will be two essay questions. You will write on one. The essays will come from one or two of the following themes:
1. Reconstruction: Think about the challenges of reconstructing the war-torn nation, how various groups tried to solve those problems, and which plan eventually went into effect.
2. Progressivism: Think about the many movements involved and how successful they each were in improving the world.
3. The 1920s: Think about the “progress” or “decline” model that we discussed in class.
HOW TO SUCCEED ON THIS TEST:
Make outlines for each theme.
Make sure that your outlines have far more information than you could ever remember.
Avoid the big general statements.
Instead, add detail to your outline.
Then, use those outlines to study; try to rewrite the outline without looking; say the outline out loud in front of a mirror; use the outline to impress your friends at work or at parties; come to office hours and let me see the outline.The one comment I write more than any other on midterms is “add more detail.”
So, learn some details to back up your understanding of the periods we have studied. I want you to do well!
ESSAY ASSIGNMENT
FOLLOW THE DUE DATES ON THE SYLLABUS:
THIS IS A 3-4 PAGE, DOUBLE-SPACED, TYPED, PAPER ON ONE OF THE FOLLOWING TOPICS:
1. Immigration Interview Project:
Conduct interviews with at least two people who immigrated to the United States. Compare their experience with the experiences of people who came to the country through Ellis Island. How was the legal and social climate of each historical moment unique?
Here are some good sources:
http://www.dumas-k12.net/socst/K-5/Grade_5/Supplements/13_Voices%20From%20Ellis%20Island.pdf
http://www.dumas-k12.net/socst/K-5/Grade_5/Supplements/13_Voices%20From%20Ellis%20Island.pdf
http://library.thinkquest.org/20619/Past.html
http://library.thinkquest.org/20619/Past.html
http://www.fortunecity.com/littleitaly/amalfi/100/influx97.htm http://www.fortunecity.com/littleitaly/amalfi/100/influx97.htm
http://www.fortunecity.com/littleitaly/amalfi/100/postcards.htm http://www.fortunecity.com/littleitaly/amalfi/100/postcards.htm
Working toward Whiteness : How America's Immigrants became White : the Strange Journey from Ellis Island to the suburbs by David R. Roediger.
2. . Were the 1950s really Happy Days?
3. History of Childhood:
Choose one of the following periods: the 1890s, the 1920s, the 1930s, the 1940s, or the 1950s. Compare and contrast childhood today with childhood from that era. It is up to you to classify what “growing up” means in 2010 versus one of those eras. That means more than just saying that there is now tv and fast food and internet. It means reading, researching what others have said is significant about childhood today. You might want to check out The Sociology of Childhood by William A. Corsaro. This book traces the meaning of childhood, focusing on the construction of identity by children.
4. Indian Gambling
Describe the historical background to legal gambling on tribal lands. Has this legal and financial development had a positive or negative impact on Native Americans?
http://www.cniga.com/
http://www.cniga.com/
http://igs.berkeley.edu/library/htIndianGaming.htm#Topic3
http://igs.berkeley.edu/library/htIndianGaming.htm#Topic3
http://paugussett.itgo.com/issues.htm
http://paugussett.itgo.com/issues.htm
5. Has the United States been in decline since the 1960s?
OR, THE OTHER OPTION...YOU MAY MAKE YOUR OWN TOPIC AS LONG AS YOU CLEAR IT WITH ME BEFOREHAND. IF YOU SHOW UP WITH A PAPER THAT IS NOT FROM THIS LIST AND HAS NOT BEEN CLEARED BY ME, IT WILL NOT BE ACCEPTED.
-------------------------------------GENERAL INFO---------------------
Is this a research paper? You need to do work outside of class to be successful on this paper. Is some of that what I would call research? Yes. Hence, you should go talk to a librarian...they are amazingly helpful with research!
Should this paper argue something? Yes, please oh please, make a claim! Remember, I do not want you to tell me WHAT happened so much as tell me THE MEANING of what happened.
Your paper should be well organized, with a sound introduction, clear body paragraphs, and a conclusion.
Your paper should be well-written, with few grammatical errors. Let me help with that. Bring me a rough draft before your final draft is due, and we will revise your paper together. There's also a history tutor in the Oasis who might be able to help with revision.
THIS IS A 3-4 PAGE, DOUBLE-SPACED, TYPED, PAPER ON ONE OF THE FOLLOWING TOPICS:
1. Immigration Interview Project:
Conduct interviews with at least two people who immigrated to the United States. Compare their experience with the experiences of people who came to the country through Ellis Island. How was the legal and social climate of each historical moment unique?
Here are some good sources:
http://www.dumas-k12.net/socst/K-5/Grade_5/Supplements/13_Voices%20From%20Ellis%20Island.pdf
http://www.dumas-k12.net/socst/K-5/Grade_5/Supplements/13_Voices%20From%20Ellis%20Island.pdf
http://library.thinkquest.org/20619/Past.html
http://library.thinkquest.org/20619/Past.html
http://www.fortunecity.com/littleitaly/amalfi/100/influx97.htm http://www.fortunecity.com/littleitaly/amalfi/100/influx97.htm
http://www.fortunecity.com/littleitaly/amalfi/100/postcards.htm http://www.fortunecity.com/littleitaly/amalfi/100/postcards.htm
Working toward Whiteness : How America's Immigrants became White : the Strange Journey from Ellis Island to the suburbs by David R. Roediger.
2. . Were the 1950s really Happy Days?
3. History of Childhood:
Choose one of the following periods: the 1890s, the 1920s, the 1930s, the 1940s, or the 1950s. Compare and contrast childhood today with childhood from that era. It is up to you to classify what “growing up” means in 2010 versus one of those eras. That means more than just saying that there is now tv and fast food and internet. It means reading, researching what others have said is significant about childhood today. You might want to check out The Sociology of Childhood by William A. Corsaro. This book traces the meaning of childhood, focusing on the construction of identity by children.
4. Indian Gambling
Describe the historical background to legal gambling on tribal lands. Has this legal and financial development had a positive or negative impact on Native Americans?
http://www.cniga.com/
http://www.cniga.com/
http://igs.berkeley.edu/library/htIndianGaming.htm#Topic3
http://igs.berkeley.edu/library/htIndianGaming.htm#Topic3
http://paugussett.itgo.com/issues.htm
http://paugussett.itgo.com/issues.htm
5. Has the United States been in decline since the 1960s?
OR, THE OTHER OPTION...YOU MAY MAKE YOUR OWN TOPIC AS LONG AS YOU CLEAR IT WITH ME BEFOREHAND. IF YOU SHOW UP WITH A PAPER THAT IS NOT FROM THIS LIST AND HAS NOT BEEN CLEARED BY ME, IT WILL NOT BE ACCEPTED.
-------------------------------------GENERAL INFO---------------------
Is this a research paper? You need to do work outside of class to be successful on this paper. Is some of that what I would call research? Yes. Hence, you should go talk to a librarian...they are amazingly helpful with research!
Should this paper argue something? Yes, please oh please, make a claim! Remember, I do not want you to tell me WHAT happened so much as tell me THE MEANING of what happened.
Your paper should be well organized, with a sound introduction, clear body paragraphs, and a conclusion.
Your paper should be well-written, with few grammatical errors. Let me help with that. Bring me a rough draft before your final draft is due, and we will revise your paper together. There's also a history tutor in the Oasis who might be able to help with revision.
Monday, April 19, 2010
WWI AND WOMAN SUFFRAGE OUTLINES
--The Great War--
I. Introduction:
II. Origins of War:
--Bloody Alliances—
Triple Entente (France, GB, Russia)
Triple Alliance (GR, Austro-Hungary, Italy)
III. The Great War:
A. The Trenches
B. Trenches in the Sea
C. Peace and Preparedness
D. WAR
IV. The End of War:
A. Wilson's 14 Points
B. Versailles
C. Spanish Flu of 1918
V. Significance:
“Suffering for the Vote”
I. Introduction:
Why be against Woman Suffrage?
II. Suffering for the Vote
A. The Seneca Falls Convention
B. Women’s Christian Temperance Union
C. National American Woman Suffrage Assoc.
(Carrie Catt and Florence Kelley)
D. The Great War and the Vote
E. The National Women’s Party (Alice Paul)
F. Impact of the Nineteenth Amendment
1. Sheppard-Towner
2. Birth Control
III. Conclusion/Significance:
I. Introduction:
II. Origins of War:
--Bloody Alliances—
Triple Entente (France, GB, Russia)
Triple Alliance (GR, Austro-Hungary, Italy)
III. The Great War:
A. The Trenches
B. Trenches in the Sea
C. Peace and Preparedness
D. WAR
IV. The End of War:
A. Wilson's 14 Points
B. Versailles
C. Spanish Flu of 1918
V. Significance:
“Suffering for the Vote”
I. Introduction:
Why be against Woman Suffrage?
II. Suffering for the Vote
A. The Seneca Falls Convention
B. Women’s Christian Temperance Union
C. National American Woman Suffrage Assoc.
(Carrie Catt and Florence Kelley)
D. The Great War and the Vote
E. The National Women’s Party (Alice Paul)
F. Impact of the Nineteenth Amendment
1. Sheppard-Towner
2. Birth Control
III. Conclusion/Significance:
Friday, April 16, 2010
READING FOR MONDAY: U.S. ENTRANCE INTO THE GREAT WAR
Why did the U.S. become involved in the First World War?
http://www.firstworldwar.com/bio/wilson.htm
or
http://www.worldwar1.com/dbc/reasons.htm
or
http://www.lewrockwell.com/orig3/dwyer3.html
http://www.firstworldwar.com/bio/wilson.htm
or
http://www.worldwar1.com/dbc/reasons.htm
or
http://www.lewrockwell.com/orig3/dwyer3.html
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